Searching for material related to music generated wholly by computer [as opposed to
hamsters or
worms], I found something different.
.
.
This ranges from the subtleties of
Mannam (2003),
a piece for for daegum (Korean flute) and interactive computer audio processing..
To the more overt interactions of
Microepiphanies (2000)-
a multimedia performance in which the music, the lighting and visual effects, and even the appearance of the scenery are all under realtime computer control, with the computer(s) engaging in intelligent interaction with the live performers. 
